登陆注册
32964300000024

第24章

HIS POWER AS ORATOR AND PREACHER

EVEN as a young man Conwell won local fame as an orator. At the outbreak of the Civil War he began ****** patriotic speeches that gained enlistments. After going to the front he was sent back home for a time, on furlough, to make more speeches to draw more recruits, for his speeches were so persuasive, so powerful, so full of homely and patriotic feeling, that the men who heard them thronged into the ranks. And as a preacher he uses persuasion, power, ****** and homely eloquence, to draw men to the ranks of Christianity.

He is an orator born, and has developed this inborn power by the hardest of study and thought and practice. He is one of those rare men who always seize and hold the attention. When he speaks, men listen. It is quality, temperament, control--the word is immaterial, but the fact is very material indeed.

Some quarter of a century ago Conwell published a little book for students on the study and practice of oratory. That ``clear-cut articulation is the charm of eloquence'' is one of his insisted-upon statements, and it well illustrates the lifelong practice of the man himself, for every word as he talks can be heard in every part of a large building, yet always he speaks without apparent effort.

He avoids ``elocution.'' His voice is soft-pitched and never breaks, even now when he is over seventy, because, so he explains it, he always speaks in his natural voice. There is never a straining after effect.

``A speaker must possess a large-hearted regard for the welfare of his audience,'' he writes, and here again we see Conwell explaining Conwellism.

``Enthusiasm invites enthusiasm,'' is another of his points of importance; and one understands that it is by deliberate purpose, and not by chance, that he tries with such tremendous effort to put enthusiasm into his hearers with every sermon and every lecture that he delivers.

``It is easy to raise a laugh, but dangerous, for it is the greatest test of an orator's control of his audience to be able to land them again on the solid earth of sober thinking.'' I have known him at the very end of a sermon have a ripple of laughter sweep freely over the entire congregation, and then in a moment he has every individual under his control, listening soberly to his words.

He never fears to use humor, and it is always very ****** and obvious and effective. With him even a very ****** pun may be used, not only with-out taking away from the strength of what he is saying, but with a vivid increase of impressiveness.

And when he says something funny it is in such a delightful and confidential way, with such a genial, quiet, infectious humorousness, that his audience is captivated. And they never think that he is telling something funny of his own;it seems, such is the skill of the man, that he is just letting them know of something humorous that they are to enjoy with him.

``Be absolutely truthful and scrupulously clear,''

he writes; and with delightfully terse common sense, he says, ``Use illustrations that illustrate''--and never did an orator live up to this injunction more than does Conwell himself. Nothing is more surprising, nothing is more interesting, than the way in which he makes use as illustrations of the impressions and incidents of his long and varied life, and, whatever it is, it has direct and instant bearing on the progress of his discourse. He will refer to something that he heard a child say in a train yesterday; in a few minutes he will speak of something that he saw or some one whom he met last month, or last year, or ten years ago--in Ohio, in California, in London, in Paris, in New York, in Bombay; and each memory, each illustration, is a hammer with which he drives home a truth.

The vast number of places he has visited and people he has met, the infinite variety of things his observant eyes have seen, give him his ceaseless flow of illustrations, and his memory and his skill make admirable use of them. It is seldom that he uses an illustration from what he has read; everything is, characteristically, his own.

Henry M. Stanley, who knew him well, referred to him as ``that double-sighted Yankee,'' who could ``see at a glance all there is and all there ever was.''

And never was there a man who so supplements with personal reminiscence the place or the person that has figured in the illustration. When he illustrates with the story of the discovery of California gold at Sutter's he almost parenthetically remarks, ``I delivered this lecture on that very spot a few years ago; that is, in the town that arose on that very spot.'' And when he illustrates by the story of the invention of the sewing-machine, he adds: ``I suppose that if any of you were asked who was the inventor of the sewing-machine, you would say that it was Elias Howe. But that would be a mistake. I was with Elias Howe in the Civil War, and he often used to tell me how he had tried for fourteen years to invent the sewing-machine and that then his wife, feeling that something really had to be done, invented it in a couple of hours.'' Listening to him, you begin to feel in touch with everybody and everything, and in a friendly and intimate way.

Always, whether in the pulpit or on the platform, as in private conversation, there is an absolute simplicity about the man and his words; a simplicity, an earnestness, a complete honesty. And when he sets down, in his book on oratory, ``Aman has no right to use words carelessly,'' he stands for that respect for word-craftsmanship that every successful speaker or writer must feel.

``Be intensely in earnest,'' he writes; and in writing this he sets down a prime principle not only of his oratory, but of his life.

A young minister told me that Dr. Conwell once said to him, with deep feeling, ``Always remember, as you preach, that you are striving to save at least one soul with every sermon.'' And to one of his close friends Dr. Conwell said, in one of his self-revealing conversations:

同类推荐
  • 鄂州龙光达夫禅师鸡肋集

    鄂州龙光达夫禅师鸡肋集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • Chamber Music

    Chamber Music

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 坐花志果

    坐花志果

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 黄石公素书二

    黄石公素书二

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 法界图记丛髓录

    法界图记丛髓录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 花枝招展(肆)

    花枝招展(肆)

    有了房子,人就像蜗牛有了遮风挡雨的壳子。可不同的是,人的壳子上还开了一些个口子,不仅可以让别人窥视到你,同时还能让你窥视到别人,你窥视过别人吗?又被人窥视过吗?
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 有点乱的世界

    有点乱的世界

    一群沙雕在这个世界以我的世界为基本,无数世界作为mod构成的世界进行冒险的欢乐故事。
  • 莫离花

    莫离花

    莫离,这是我的名字。爹娘之所以如此叫我,一来是因为娘喜欢莫离花,二来是希望和娘永远莫离。为什么,我只想过平平淡淡的生活,偏生有这么多人要让莫离不快乐呢。爹娘不是说莫离花永远不会枯萎的吗,为什么变了,都变了!
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 鬼挡道

    鬼挡道

    新书发布请多支持,你的支持就是我的不竭动力。
  • 战争的代价

    战争的代价

    700年前,红维国调集50年资源发动对水古国最大规模的一次战争,但是最终的结果却被逆转。700年后,取得了长足发展的红维国卷土重来。到底会有什么样的发展,两国的特战部队会告诉你。
  • 锦中纪

    锦中纪

    万古长空之中,一朝风月之下,辗转留存的只剩几寸执念。他与她的夙缘纠缠一世,是终成仙眷还是孑然退场。“万古长空,漫漫余世,若是没了你,我只能算作苟活。”“我一辈子坎坷多舛,满路荆棘,从不见得半分春光。我恨透了这里的人和事,却因为你,我想活下去,想好好活下去。”“我姜氏满门忠烈,不惑于权,不困于势,赤肝义胆一生,又怎容你一个无名小卒如此践踏我姜氏门旗。”那样好的四月,终是回不去了
  • 重现鬼校

    重现鬼校

    名叫舒萧游少年来到星艺学校里,他并不是为学艺术而来,而是为了十五年前一件鬼灵事件而来,此次来到星艺学校本是从新封印鬼灵,但是在开学的第一天起,巧遇蔡雪儿,徐林峰,郭冬雪三人相认识,在完成一半封印时,却出现惊人的事件,所有的封印都被彻底的打开,从那一刻起,十五年前的噩梦即将上演,从那一刻起四人踏上封灵的任务,今后四人又会遇到什么样的挫折,最后又会是怎样的命运,而且在这一路途中,真的只是为了封印之事吗,过程中又会出现哪些神秘人物,他们跟这一切又有什么关系,最后他们又会是怎样的结果?……………………
  • 美妆皇后有系统

    美妆皇后有系统

    柳芳菲初来乍到就被陷害,还好有个系统,虐渣打脸爽歪歪,小日子过得不错顺便拿出自己化得一手好妆的本事,成功打入贵妇圈。只是那位帅哥怎么一直盯着自己不放?