It was a cheerless afternoon in November, when Alderson, duly informed of the presence of Aileen and Cowperwood in the South Sixth Street house by the detective on guard drove rapidly up to Butler's office and invited him to come with him. Yet even now Butler could scarcely believe that he was to find his daughter there. The shame of it. The horror. What would he say to her?
How reproach her? What would he do to Cowperwood? His large hands shook as he thought. They drove rapidly to within a few doors of the place, where a second detective on guard across the street approached. Butler and Alderson descended from the vehicle, and together they approached the door. It was now almost four-thirty in the afternoon. In a room within the house, Cowperwood, his coat and vest off, was listening to Aileen's account of her troubles.
The room in which they were sitting at the time was typical of the rather commonplace idea of luxury which then prevailed. Most of the "sets" of furniture put on the market for general sale by the furniture companies were, when they approached in any way the correct idea of luxury, imitations of one of the Louis periods. The curtains were always heavy, frequently brocaded, and not infrequently red.
The carpets were richly flowered in high colors with a thick, velvet nap. The furniture, of whatever wood it might be made, was almost invariably heavy, floriated, and cumbersome. This room contained a heavily constructed bed of walnut, with washstand, bureau, and wardrobe to match. A large, square mirror in a gold frame was hung over the washstand. Some poor engravings of landscapes and several nude figures were hung in gold frames on the wall. The gilt-framed chairs were upholstered in pink-and-white-flowered brocade, with polished brass tacks. The carpet was of thick Brussels, pale cream and pink in hue, with large blue jardinieres containing flowers woven in as ornaments. The general effect was light, rich, and a little stuffy.
"You know I get desperately frightened, sometimes," said Aileen.
"Father might be watching us, you know. I've often wondered what I'd do if he caught us. I couldn't lie out of this, could I?"
"You certainly couldn't," said Cowperwood, who never failed to respond to the incitement of her charms. She had such lovely smooth arms, a full, luxuriously tapering throat and neck; her golden-red hair floated like an aureole about her head, and her large eyes sparkled. The wondrous vigor of a full womanhood was hers--errant, ill-balanced, romantic, but exquisite, "but you might as well not cross that bridge until you come to it," he continued. "I myself have been thinking that we had better not go on with this for the present. That letter ought to have been enough to stop us for the time."
He came over to where she stood by the dressing-table, adjusting her hair.
"You're such a pretty minx," he said. He slipped his arm about her and kissed her pretty mouth. "Nothing sweeter than you this side of Paradise," he whispered in her ear.
While this was enacting, Butler and the extra detective had stepped out of sight, to one side of the front door of the house, while Alderson, taking the lead, rang the bell. A negro servant appeared.
"Is Mrs. Davis in?" he asked, genially, using the name of the woman in control. "I'd like to see her."
"Just come in," said the maid, unsuspectingly, and indicated a reception-room on the right. Alderson took off his soft, wide-brimmed hat and entered. When the maid went up-stairs he immediately returned to the door and let in Butler and two detectives. The four stepped into the reception-room unseen. In a few moments the "madam" as the current word characterized this type of woman, appeared. She was tall, fair, rugged, and not at all unpleasant to look upon. She had light-blue eyes and a genial smile. Long contact with the police and the brutalities of *** in her early life had made her wary, a little afraid of how the world would use her. This particular method of ****** a living being illicit, and she having no other practical knowledge at her command, she was as anxious to get along peacefully with the police and the public generally as any struggling tradesman in any walk of life might have been. She had on a loose, blue-flowered peignoir, or dressing-gown, open at the front, tied with blue ribbons and showing a little of her expensive underwear beneath. A large opal ring graced her left middle finger, and turquoises of vivid blue were pendent from her ears. She wore yellow silk slippers with bronze buckles; and altogether her appearance was not out of keeping with the character of the reception-room itself, which was a composite of gold-flowered wall-paper, blue and cream-colored Brussels carpet, heavily gold-framed engravings of reclining nudes, and a gilt-framed pier-glass, which rose from the floor to the ceiling. Needless to say, Butler was shocked to the soul of him by this suggestive atmosphere which was supposed to include his daughter in its destructive reaches.
Alderson motioned one of his detectives to get behind the woman--between her and the door--which he did.
"Sorry to trouble you, Mrs. Davis," he said, "but we are looking for a couple who are in your house here. We're after a runaway girl. We don't want to make any disturbance--merely to get her and take her away." Mrs. Davis paled and opened her mouth. "Now don't make any noise or try to scream, or we'll have to stop you.
My men are all around the house. Nobody can get out. Do you know anybody by the name of Cowperwood?"
Mrs. Davis, fortunately from one point of view, was not of a particularly nervous nor yet contentious type. She was more or less philosophic. She was not in touch with the police here in Philadelphia, hence subject to exposure. What good would it do to cry out? she thought. The place was surrounded. There was no one in the house at the time to save Cowperwood and Aileen.
She did not know Cowperwood by his name, nor Aileen by hers. They were a Mr. and Mrs. Montague to her.
