The Count de la Tour D'Auvergne and Madame D'Urfe--Camille--My Passion for the Count's Mistress--The Ridiculous Incident Which Cured Me--The Count de St. Germain In spite of my love for Mdlle. Baletti, I did not omit to pay my court to the most noted ladies of the pavement; but I was chiefly interested in kept women, and those who consider themselves as belonging to the public only in playing before them night by night, queens or chamber-maids.
In spite of this affection, they enjoy what they call their independence, either by devoting themselves to Cupid or to Plutus, and more frequently to both together. As it is not very difficult to make the acquaintance of these priestesses of pleasure and dissipation, I soon got to know several of them.
The halls of the theatres are capital places for amateurs to exercise their talents in intriguing, and I had profited tolerably well by the lessons I had learnt in this fine school.
I began by becoming the friend of their lovers, and I often succeeded by pretending to be a man of whom nobody need be afraid.
Camille, an actress and dancer at the Italian play, with whom I had fallen in love at Fontainebleu seven years ago, was one of those of whom I was most fond, liking the society at her pretty little house, where she lived with the Count d'Eigreville, who was a friend of mine, and fond of my company. He was a brother of the Marquis de Gamache and of the Countess du Rumain, and was a fine young fellow of an excellent disposition. He was never so well pleased as when he saw his mistress surrounded by people--a taste which is rarely found, but which is very convenient, and the sign of a temperament not afflicted by jealousy. Camille had no other lovers--an astonishing thing in an actress of the kind, but being full of tact and wit she drove none of her admirers to despair. She was neither over sparing nor over generous in the distribution of her favours, and knew how to make the whole town rave about her without fearing the results of indiscretion or sorrows of being abandoned.
The gentleman of whom, after her lover, she took most notice, was the Count de la Tour d'Auvergne, a nobleman of an old family, who idolized her, and, not being rich enough to possess her entirely, had to be content with what she gave him. Camille had given him a young girl, for whose keep she paid, who lived with Tour d'Auvergne in furnished apartments in the Rue de Taranne, and whom he said he loved as one loves a portrait, because she came from Camille. The count often took her with him to Camille's to supper. She was fifteen, ****** in her manners, and quite devoid of ambition. She told her lover that she would never forgive him an act of infidelity except with Camille, to whom she felt bound to yield all since to her she owed all.
I became so much in love with her that I often went to Camille's solely to see her and to enjoy those artless speeches with which she delighted the company. I strove as best I could to conceal my flame, but often I found myself looking quite sad at the thought of the impossibility of my love being crowned with success. If I had let my passion be suspected I should have been laughed at, and should have made myself a mark for the pitiless sarcasms of Camille. However, I
got my cure in the following ridiculous manner:--
Camille lived at the Barriere Blanche, and on leaving her house, one rainy evening, I sought in vain for a coach to take me home.
"My dear Casanova," said Tour d'Auvergne, "I can drop you at your own door without giving myself the slightest inconvenience, though my carriage is only seated for two; however, my sweetheart can sit on our knees."
I accepted his offer with pleasure, and we seated ourselves in the carriage, the count on my left hand and Babet on both our knees.
Burning with amorous passion I thought I would take the opportunity, and, to lose no time, as the coachman was driving fast, I took her hand and pressed it softly. The pressure was returned. Joy! I
carried the hand to my lips, and covered it with affectionate though noiseless kisses. Longing to convince her of the ardour of my passion, and thinking that her hand would not refuse to do me a sweet service, I . . . but just at critical moment, "I am really very much obliged to you, my dear fellow," said the Count de la Tour d'Auvergne, "for a piece of politeness thoroughly Italian, of which, however, I do not feel worthy; at least, I hope it's meant as politeness and not as a sign of contempt."
At these dreadful words I stretched out my hand and felt the sleeve of his coat. Presence of mind was no good in a situation like this, when his words were followed by a peal of loud laughter which would have confounded the hardiest spirit. As for me, I could neither join in his laughter nor deny his accusation; the situation was a fearful one, or would have been if the friendly shades of night had not covered my confusion. Babet did her best to find out from the count why he laughed so much, but he could not tell her for laughing, for which I gave thanks with all my heart. At last the carriage stopped at my house, and as soon as my servant had opened the door of my carriage I got down as fast as I could, and wished them good night--a compliment which Tour d'Auvergne returned with fresh peals of laughter. I entered my house in a state of stupefaction, and half an hour elapsed before I, too, began to laugh at the adventure. What vexed me most was the expectation of having malicious jests passed upon me, for I had not the least right to reckon on the count's discretion. However, I had enough sense to determine to join in the laughter if I could, and if not, to take it well, for this is, and always will be, the best way to get the laughers on one's own side at Paris.
For three days I saw nothing of the delightful count, and on the fourth I resolved to ask him to take breakfast with me, as Camille had sent to my house to enquire how I was. My adventure would not prevent me visiting her house, but I was anxious to know how it had been taken.
