Seven o'clock came, and so did the audience; all the rank and fashion of Clapham and its vicinity was fast filling the theatre.
There were the Smiths, the Gubbinses, the Nixons, the Dixons, the Hicksons, people with all sorts of names, two aldermen, a sheriff in perspective, Sir Thomas Glumper (who had been knighted in the last reign for carrying up an address on somebody's escaping from nothing); and last, not least, there were Mrs. Joseph Porter and Uncle Tom, seated in the centre of the third row from the stage;Mrs. P. amusing Uncle Tom with all sorts of stories, and Uncle Tom amusing every one else by laughing most immoderately.
Ting, ting, ting! went the prompter's bell at eight o'clock precisely, and dash went the orchestra into the overture to 'The Men of Prometheus.' The pianoforte player hammered away with laudable perseverance; and the violoncello, which struck in at intervals, 'sounded very well, considering.' The unfortunate individual, however, who had undertaken to play the flute accompaniment 'at sight,' found, from fatal experience, the perfect truth of the old adage, 'ought of sight, out of mind;' for being very near-sighted, and being placed at a considerable distance from his music-book, all he had an opportunity of doing was to play a bar now and then in the wrong place, and put the other performers out. It is, however, but justice to Mr. Brown to say that he did this to admiration. The overture, in fact, was not unlike a race between the different instruments; the piano came in first by several bars, and the violoncello next, quite distancing the poor flute; for the deaf gentleman TOO-TOO'D away, quite unconscious that he was at all wrong, until apprised, by the applause of the audience, that the overture was concluded. A considerable bustle and shuffling of feet was then heard upon the stage, accompanied by whispers of 'Here's a pretty go! - what's to be done?' &c. The audience applauded again, by way of raising the spirits of the performers; and then Mr. Sempronius desired the prompter, in a very audible voice, to 'clear the stage, and ring up.'
Ting, ting, ting! went the bell again. Everybody sat down; the curtain shook; rose sufficiently high to display several pair of yellow boots paddling about; and there remained.
Ting, ting, ting! went the bell again. The curtain was violently convulsed, but rose no higher; the audience tittered; Mrs. Porter looked at Uncle Tom; Uncle Tom looked at everybody, rubbing his hands, and laughing with perfect rapture. After as much ringing with the little bell as a muffin-boy would make in going down a tolerably long street, and a vast deal of whispering, hammering, and calling for nails and cord, the curtain at length rose, and discovered Mr. Sempronius Gattleton SOLUS, and decked for OTHELLO.
After three distinct rounds of applause, during which Mr.
Sempronius applied his right hand to his left breast, and bowed in the most approved manner, the manager advanced and said:
'Ladies and Gentlemen - I assure you it is with sincere regret, that I regret to be compelled to inform you, that IAGO who was to have played Mr. Wilson - I beg your pardon, Ladies and Gentlemen, but I am naturally somewhat agitated (applause) - I mean, Mr.
Wilson, who was to have played IAGO, is - that is, has been - or, in other words, Ladies and Gentlemen, the fact is, that I have just received a note, in which I am informed that IAGO is unavoidably detained at the Post-office this evening. Under these circumstances, I trust - a - a - ******* performance - a - another gentleman undertaken to read the part - request indulgence for a short time - courtesy and kindness of a British audience.'
Overwhelming applause. Exit Mr. Sempronius Gattleton, and curtain falls.
