'We have an unknown benefactor. A fortnight ago came three bushels of flowers: two hundred tiny nosegays marked "For the children," half a dozen knots of pink roses for the "little mothers," a dozen scarlet carnations for Lisa, while one great bunch of white lilies bore the inion, "For the Mother Superior." Last week a barrel of apples and another of oranges appeared mysteriously, and to-day comes a note, written in a hand we do not recognise, saying we are not to buy holly, mistletoe, evergreens, Christmas tree, or baubles of any kind, as they will be sent to us on December 22. We have inquired of our friends, but have no clue as yet, further than it must be somebody who knows our needs and desires very thoroughly. We have certainly entertained an angel unawares, but which among the crowd of visitors is it most likely to be? The Solitary, I wonder?
I should never have thought it, were it not for the memory of that last day, the scene at the piano, the "song of him that overcometh," and the backward glance from the corner as he sprang, absolutely sprang, on the car. There was purpose in it, or I am greatly mistaken. Mr. Man's eyes would be worth looking into, if one could find purpose in their brown depths! Moreover, though I am too notorious a dreamer of dreams to be trusted, I cannot help fancying he went BACK to something; it was not a mere forward move, not a sudden determination to find some new duty to do that life might grow nobler and sweeter, but a return to an old duty grown hateful. That was what I saw in his face as he stood on the crossing, with the noon sunshine caught in his tawny hair and beard. Rhoda, Edith, and I have each made a story about him, and each of us would vouch for the truth of her particular version. I will not tell mine, but this is Rhoda's; and while it differs from my own in several important particulars, it yet bears an astonishing resemblance to it. It is rather romantic, but if one is to make any sort of story out of the Solitary it must be a romantic one, for he suggests no other.
'Rhoda began her tale with a thrilling introduction that set us all laughing (we smile here when still the tears are close at hand; indeed, we must smile, or we could not live): the prelude being something about a lonely castle in the heart of the Hartz Mountains, and a prattling golden-haired babe stretching its arms across a ruined moat in the direction of its absent father. This was in the nature of an absurd prologue, but when she finally came to the Solitary she grew serious; for she made him in the bygone days a sensitive child and a dreamy, impetuous youth, with a domineering, ill-tempered father who was utterly unable and unwilling to understand or to sympathise with him. His younger brother (for Rhoda insists on a younger brother) lived at home, while he, the elder, spent, or misspent, his youth and early manhood in a German university. As the years went on, the relations between himself and his father grew more and more strained. Do as the son might, he could never please, either in his line of thought and study or in his practical pursuits. The father hated his books, his music, his poetry, and his artist friends, while he on his part found nothing to stimulate or content him in his father's tasks and manner of life.
His mother pined and died in the effort to keep peace between them, but the younger brother's schemes were quite in an opposite direction. At this time, Mr. Man flung himself into a foolish marriage, one that promised little in the shape of the happiness he craved so eagerly. (Rhoda insists on this unhappy marriage; I am in doubt about it.) Finally his father died, and on being summoned home, as he supposed, to take his rightful place and assume the management of the estate, he found himself disinherited. He could have borne the loss of fortune and broad acres better than this convincing proof of his father's dislike and distrust, and he could have endured even that, had it not befallen him through the perfidy of his brother. When, therefore, he was met by his wife's bitter reproaches and persistent coldness he closed his heart against all the world, shook the dust of home from off his feet, left his own small fortune behind him, kissed his little son, and became a wanderer on the face of the earth.
'This is substantially Rhoda's story, but it does not satisfy her completely. She says, in her whimsical way, that it needs another villain to account properly for Mr. Man's expression.
