Veronica, by my desire, walked with me to the end of the lane. I talked to her very seriously. Her difficulty was that she had not been blown up. Had she been blown up, then she would have known herself she had done wrong. In the book it is the disobedient child that is tossed by the bull. The child that has been sent with the little basket to visit the sick aunt may be right in the bull's way.
That is a bit of bad luck for the bull. The poor bull is compelled to waste valuable time working round carefully, so as not to upset the basket. If the wicked child had sense (which in the book does not happen), it would, while the bull was dodging to get past the good child, seize the opportunity to move itself quickly. The wicked child never looks round, but pegs along steadily; and when the bull arrives it is sure to be in the most convenient position for receiving moral lessons. The good child, whatever its weight, crosses the ice in safety. The bad child may turn the scale at two stone lighter; the ice will have none of him. "Don't you talk to me about relative pressure to the square inch," says the indignant ice.
"You were unkind to your little baby brother the week before last: in you go." Veronica's argument, temperately and courteously expressed, I admit, came practically to this:
"I may have acted without sufficient knowledge to guide me. My education has not, perhaps, on the whole, been ordered wisely.
Subjects that I feel will never be of the slightest interest or consequence to me have been insisted upon with almost tiresome reiteration. Matters that should be useful and helpful to me--gunpowder, to take but one example--I have been left in ignorance concerning. About all that I say nothing; people have done their best according to their lights, no doubt. When, however, we come to purity of motives, singleness of intention, then, I maintain, I am above reproach. The proof of this is that Providence has bestowed upon me the seal of its approval: I was not blown up. Had my conduct been open to censure--as in certain quarters has been suggested--should I be walking besides you now, undamaged--not a hair turned, as the saying is? No. Discriminating Fate--that is, if any reliance at all is to be placed on literature for the young--would have made it her business that at least I was included in the debris.
Instead, what do we notice!--a shattered chimney, a ruined stove, broken windows, a wreckage of household utensils; I, alone of all things, miraculously preserved. I do not wish to press the point offensively, but really it would almost seem that it must be you three--you, my dear parent, upon whom will fall the bill for repairs;
****, apt to attach too much importance, maybe, to his victuals, and who for the next few days will be compelled to exist chiefly upon tinned goods; Robina, by nature of a worrying disposition, certain till things get straight again to be next door to off her head--who must, by reason of conduct into which I do not enquire, have merited chastisement at the hands of Providence. The moral lesson would certainly appear to be between you three. I--it grows clear to me--have been throughout but the innocent instrument."
Admit the premise that to be virtuous is to escape whipping, the argument is logical. I felt that left uncombated it might lead us into yet further trouble.
"Veronica," I said, "the time has come to reveal to you a secret: literature is not always a safe guide to life."
"You mean--" said Veronica.
"I mean," I said, "that the writer of books is, generally speaking, an exceptionally moral man. That is what leads him astray: he is too good. This world does not come up to his ideas. It is not the world as he would have made it himself. To satisfy his craving for morality he sets to work to make a world of his own. It is not this world. It is not a bit like this world. In a world as it should be, Veronica, you would undoubtedly have been blown up--if not altogether, at all events partially. What you have to do, Veronica, is, with a full heart, to praise Heaven that this is not a perfect world. If it were I doubt very much, Veronica, your being here.
That you are here happy and thriving proves that all is not as it should be. The bull of this world, feeling he wants to toss somebody, does not sit upon himself, so to speak, till the wicked child comes by. He takes the first child that turns up, and thanks God for it. A hundred to one it is the best child for miles around.
The bull does not care. He spoils that pattern child. He'd spoil a bishop, feeling as he does that morning. Your little friend in the velvet suit who did get himself blown up, at all events as regards the suit-- Which of you was it that thought of that gunpowder, you or he?"
Veronica claimed that the inspiration had been hers.
"I can easily believe it. And was he anxious to steal the gunpowder and put it on the fire, or did he have to be persuaded?"
Veronica admitted that in the qualities of a first-class hero he was wanting. Not till it had been suggested to him that he must at heart be a cowardy cowardy custard had he been moved to take a hand in the enterprise.
"A lad, clearly," I continued, "that left to himself would be a comfort to his friends. And the story of the robbers--your invention or his?"
Veronica was generously of opinion that he might have thought of it had he not been chiefly concerned at the moment with the idea of getting home to his mother. As it was, the clothing with romance of incidents otherwise bald and uninteresting had fallen upon her.
"The good child of the story. The fact stands out at every point.
His one failing an amiable weakness. Do you not see it for yourself;
Veronica? In the book, you, not he, would have tumbled over the mat.
In this wicked world it is the wicked who prosper. He, the innocent, the virtuous, is torn into rags. You, the villain of the story, escape."
"I see," said Veronica; "then whenever nothing happens to you that means that you're a wrong 'un."
