Between midnight and one o'clock, the Knights of Idleness began their gratuitous distribution of comestibles to the dogs of the town. This memorable expedition was not over till three in the morning, the hour at which these reprobates went to sup at Cognette's. At half-past four, in the early dawn, they crept home. Just as Max turned the corner of the rue l'Avenier into the Grande rue, Fario, who stood ambushed in a recess, struck a knife at his heart, drew out the blade, and escaped by the moat towards Vilatte, wiping the blade of his knife on his handkerchief. The Spaniard washed the handkerchief in the Riviere forcee, and returned quietly to his lodgings at Saint-Paterne, where he got in by a window he had left open, and went to bed: later, he was awakened by his new watchman, who found him fast asleep.
As he fell, Max uttered a fearful cry which no one could mistake.
Lousteau-Prangin, son of a judge, a distant relation to the family of the sub-delegate, and young Goddet, who lived at the lower end of the Grande rue, ran at full speed up the street, calling to each other,--
"They are killing Max! Help! help!"
But not a dog barked; and all the town, accustomed to the false alarms of these nightly prowlers, stayed quietly in their beds. When his two comrades reached him, Max had fainted. It was necessary to rouse Monsieur Goddet, the surgeon. Max had recognized Fario; but when he came to his senses, with several persons about him, and felt that his wound was not mortal, it suddenly occurred to him to make capital out of the attack, and he said, in a faint voice,--
"I think I recognized that cursed painter!"
Thereupon Lousteau-Prangin ran off to his father, the judge. Max was carried home by Cognette, young Goddet, and two other persons. Mere Cognette and Monsieur Goddet walked beside the stretcher. Those who carried the wounded man naturally looked across at Monsieur Hochon's door while waiting for Kouski to let them in, and saw Monsieur Hochon's servant sweeping the steps. At the old miser's, as everywhere else in the provinces, the household was early astir. The few words uttered by Max had roused the suspicions of Monsieur Goddet, and he called to the woman,--
"Gritte, is Monsieur Joseph Bridau in bed?"
"Bless me!" she said, "he went out at half-past four. I don't know what ailed him; he walked up and down his room all night."
This ****** answer drew forth such exclamations of horror that the woman came over, curious to know what they were carrying to old Rouget's house.
"A precious fellow he is, that painter of yours!" they said to her.
And the procession entered the house, leaving Gritte open-mouthed with amazement at the sight of Max in his bloody shirt, stretched half- fainting on a mattress.
Artists will readily guess what ailed Joseph, and kept him restless all night. He imagined the tale the bourgeoisie of Issoudun would tell of him. They would say he had fleeced his uncle; that he was everything but what he had tried to be,--a loyal fellow and an honest artist! Ah! he would have given his great picture to have flown like a swallow to Paris, and thrown his uncle's paintings at Max's nose. To be the one robbed, and to be thought the robber!--what irony! So at the earliest dawn, he had started for the poplar avenue which led to Tivoli, to give free course to his agitation.
While the innocent fellow was vowing, by way of consolation, never to return to Issoudun, Max was preparing a horrible outrage for his sensitive spirit. When Monsieur Goddet had probed the wound and discovered that the knife, turned aside by a little pocket-book, had happily spared Max's life (though ****** a serious wound), he did as all doctors, and particularly country surgeons, do; he paved the way for his own credit by "not answering for the patient's life"; and then, after dressing the soldier's wound, and stating the verdict of science to the Rabouilleuse, Jean-Jacques Rouget, Kouski, and the Vedie, he left the house. The Rabouilleuse came in tears to her dear Max, while Kouski and the Vedie told the assembled crowd that the captain was in a fair way to die. The news brought nearly two hundred persons in groups about the place Saint-Jean and the two Narettes.
"I sha'n't be a month in bed; and I know who struck the blow," whispered Max to Flore. "But we'll profit by it to get rid of the Parisians. I have said I thought I recognized the painter; so pretend that I am expected to die, and try to have Joseph Bridau arrested. Let him taste a prison for a couple of days, and I know well enough the mother will be off in a jiffy for Paris when she gets him out. And then we needn't fear the priests they talk of setting on the old fool."
When Flore Brazier came downstairs, she found the assembled crowd quite prepared to take the impression she meant to give them. She went out with tears in her eyes, and related, sobbing, how the painter, "who had just the face for that sort of thing," had been angry with Max the night before about some pictures he had "wormed out" of Pere Rouget.
"That brigand--for you've only got to look at him to see what he is-- thinks that if Max were dead, his uncle would leave him his fortune; as if," she cried, "a brother were not more to him than a nephew! Max is Doctor Rouget's son. The old one told me so before he died!"
"Ah! he meant to do the deed just before he left Issoudun; he chose his time, for he was going away to-day," said one of the Knights of Idleness.
"Max hasn't an enemy in Issoudun," said another.
"Besides, Max recognized the painter," said the Rabouilleuse.
"Where's that cursed Parisian? Let us find him!" they all cried.
"Find him?" was the answer, "why, he left Monsieur Hochon's at daybreak."
A Knight of Idleness ran off at once to Monsieur Mouilleron. The crowd increased; and the tumult became threatening. Excited groups filled up the whole of the Grande-Narette. Others stationed themselves before the church of Saint-Jean. An assemblage gathered at the porte Vilatte, which is at the farther end of the Petite-Narette. Monsieur Lousteau-
