Not unfrequently her artistic sense led her to sacrifice the requirements of her person to secure some bit of Gothic furniture. By the seventh year she had come so low as to think it convenient to have her morning dresses made at home by the best needlewoman in the neighborhood; and her mother, her husband, and her friends pronounced her charming in these inexpensive costumes which did credit to her taste. Her ideas were imitated! As she had no standard of comparison, Dinah fell into the snares that surround the provincial woman. If a Parisian woman's hips are too narrow or too full, her inventive wit and the desire to please help to find some heroic remedy; if she has some defect, some ugly spot, or small disfigurement, she is capable of ****** it an adornment; this is often seen; but the provincial woman--never! If her waist is too short and her figure ill balanced, well, she makes up her mind to the worst, and her adorers--or they do not adore her--must take her as she is, while the Parisian always insists on being taken for what she is not. Hence the preposterous bustles, the audacious flatness, the ridiculous fulness, the hideous outlines ingeniously displayed, to which a whole town will become accustomed, but which are so astounding when a provincial woman makes her appearance in Paris or among Parisians. Dinah, who was extremely slim, showed it off to excess, and never knew a dull moment when it became ridiculous; when, reduced by the dull weariness of her life, she looked like a skeleton in clothes; and her friends, seeing her every day, did not observe the gradual change in her appearance.
This is one of the natural results of a provincial life. In spite of marriage, a young woman preserves her beauty for some time, and the town is proud of her; but everybody sees her every day, and when people meet every day their perception is dulled. If, like Madame de la Baudraye, she loses her color, it is scarcely noticed; or, again, if she flushes a little, that is intelligible and interesting. Alittle neglect is thought charming, and her face is so carefully studied, so well known, that slight changes are scarcely noticed, and regarded at last as "beauty spots." When Dinah ceased to have a new dress with a new season, she seemed to have made a concession to the philosophy of the place.
It is the same with matters of speech, choice of words and ideas, as it is with matters of feeling. The mind can rust as well as the body if it is not rubbed up in Paris; but the thing on which provincialism most sets its stamp is gesture, gait, and movement; these soon lose the briskness which Paris constantly keeps alive. The provincial is used to walk and move in a world devoid of accident or change, there is nothing to be avoided; so in Paris she walks on as raw recruits do, never remembering that there may be hindrances, for there are none in her way in her native place, where she is known, where she is always in her place, and every one makes way for her. Thus she loses all the charm of the unforeseen.
And have you ever noticed the effect on human beings of a life in common? By the ineffaceable instinct of simian mimicry they all tend to copy each other. Each one, without knowing it, acquires the gestures, the tone of voice, the manner, the attitudes, the very countenance of others. In six years Dinah had sunk to the pitch of the society she lived in. As she acquired Monsieur de Clagny's ideas she assumed his tone of voice; she unconsciously fell into masculine manners from seeing none but men; she fancied that by laughing at what was ridiculous in them she was safe from catching it; but, as often happens, some hue of what she laughed at remained in the grain.
A Parisian woman sees so many examples of good taste that a contrary result ensues. In Paris women learn to seize the hour and moment when they may appear to advantage; while Madame de la Baudraye, accustomed to take the stage, acquired an indefinable theatrical and domineering manner, the air of a /prima donna/ coming forward on the boards, of which ironical smiles would soon have cured her in the capital.
But after she had acquired this stock of absurdities, and, deceived by her worshipers, imagined them to be added graces, a moment of terrible awakening came upon her like the fall of an avalanche from a mountain.
In one day she was crushed by a frightful comparison.
In 1829, after the departure of Monsieur de Chargeboeuf, she was excited by the anticipation of a little pleasure; she was expecting the Baronne de Fontaine. Anna's husband, who was now Director-General under the Minister of Finance, took advantage of leave of absence on the occasion of his father's death to take his wife to Italy. Anna wished to spend the day at Sancerre with her school-friend. This meeting was strangely disastrous. Anna, who at school had been far less handsome than Dinah, now, as Baronne de Fontaine, was a thousand times handsomer than the Baronne de la Baudraye, in spite of her fatigue and her traveling dress. Anna stepped out of an elegant traveling chaise loaded with Paris milliners' boxes, and she had with her a lady's maid, whose airs quite frightened Dinah. All the difference between a woman of Paris and a provincial was at once evident to Dinah's intelligent eye; she saw herself as her friend saw her--and Anna found her altered beyond recognition. Anna spent six thousand francs a year on herself alone, as much as kept the whole household at La Baudraye.
In twenty-four hours the friends had exchanged many confidences; and the Parisian, seeing herself so far superior to the phoenix of Mademoiselle Chamarolles' school, showed her provincial friend such kindness, such attentions, while giving her certain explanations, as were so many stabs to Dinah, though she perfectly understood that Anna's advantages all lay on the surface, while her own were for ever buried.
When Anna had left, Madame de la Baudraye, by this time two-and-twenty, fell into the depths of despair.
