He rapidly walked toward his desk, but stopped suddenly. "Hold on!" said he; "I really forgot the most important thing--my ring. While looking at the precious ribbon of my beautiful English friend, I did not think of the ring of my great king--and still it is the talisman without which I cannot work at all."
Returning once, more to the bureau, he opened a small case and took from it a ring which he put on his finger. He contemplated the large and brilliant diamonds of the ring with undisguised admiration.
"Yes," he exclaimed--"yes, thou art my talisman, and when I look at thee, it seems to me as if I saw the eyes of the great king beaming down upon me, and pouring courage and enthusiasm into my heart. That is the reason, too, why I cannot work unless I have the ring on my finger. [Footnote: Haydn had dedicated six quartets to Frederick the Great, who acknowledged the compliment by sending him a valuable diamond ring. Haydn wore this ring whenever he composed a new work, and it seemed to him as though inspiration failed him unless he wore the ring. He stated this on many occasions.] But now I am ready and adorned like a bridegroom who is going to his young bride. Yes, yes, it is just so with me. I am going to my bride--to St. Cecilia!"
When he now returned to his desk, his features assumed a grave and solemn expression. He sat down once more at the piano and played an anthem, then he resumed his seat at the desk, took a sheet of music- paper and commenced writing. He wielded his pen with the utmost rapidity, and covered page after page with the queer little dots and dashes which we call notes.
And Haydn's eyes flashed and his cheeks glowed, and a heavenly smile played on his lips while he was writing. But all of a sudden his pen stopped, and a slight cloud settled on his brow. Some passage, may be a modulation, had displeased him, in what he had just composed, for he glanced over the last few lines and shook his head. He looked down sadly and dropped the pen.
"Help me, O Lord God--help me!" he exclaimed, and hastily seized the rosary which always lay on his desk, "Help me!" he muttered once more, and, while hurriedly pacing the room, he slipped the beads of the rosary through his fingers and whispered an Ave Maria.
His prayer seemed to have the desired effect, for the cloud disappeared from his forehead, and his eyes beamed again with the fervor of inspiration. He resumed his seat and wrote on with renewed energy. A holy peace now settled on his serene features, and reigned around him in the silent little cabinet.
But all at once this peaceful stillness was interrupted by a loud noise resounding from below. Vociferous lamentations were heard, and heavy footsteps ascended the staircase.
Haydn, however, did not hear any thing--his genius was soaring far away in the realm of inspiration, and divine harmonies still enchanted his ears.
But now the door of the small parlor was opened violently, and his wife, with a face deadly pale and depicting the liveliest anxiety, rushed into the room. Catharine and Conrad, the aged footman, appeared behind her, while the cat slipped in with her mistress, and the parrot ejaculated the most frantic and piercing screams.
Haydn started in dismay from his seat and stared at his wife without being able to utter a single word. It was something unheard of for him to be disturbed by his wife during his working hours, hence he very naturally concluded that something unusual, something really terrible must have occurred, and the frightened looks of his wife, the pale faces of his servants, plainly told him that he was not mistaken.
"Oh, husband--poor, dear husband!" wailed his wife, "pack up your papers, the time for working and composing is past. Conrad has brought the most dreadful tidings from the city. We are all lost!--
Vienna is lost! Oh, dear, dear! it is awful, and I tell you I am almost frightened out of my senses!"
And the old lady, trembling like an aspen-leaf, threw herself into an arm-chair.
"What in Heaven's name is the matter?" asked Haydn--"what is it that has frightened you thus? Conrad, tell me what is the news?"
"Oh, my dear master," wailed Conrad, approaching the doctor with folded hands and shaking knees, "it is all up with us! Austria is lost--Vienna is lost--and consequently we are lost, too! Late dispatches have arrived from the army. Ah! what do I say?--army? We have no longer an army--our forces are entirely dispersed--Archduke Charles has lost another battle--old Wurmser has been driven back-- and General Bonaparte is advancing upon Vienna."
"These are sad tidings, indeed," said Haydn, shrugging his shoulders, "still they are no reason why we should despair. If the archduke has lost a battle--why, all generals have lost battles--"
"Bonaparte never lost one," replied Conrad, with a profound sigh, "he wins every battle, and devours all countries he wants to conquer."
"We must pack up our things, Joseph," said Mrs. Haydn--" we must bury our money, our plate, and especially your jewels and trinkets, so that those French robbers and cannibals will not find them. Come, husband, let us go to work quickly, before they come and take every thing from us."
"Hush, wife, hush!" said Haydn, mildly, and a gentle smile overspread his features. "Never fear about our few trifles, and do not think that the French just want to come to Vienna for what few gold snuff-boxes and rings I have got. If they were anxious for gold and jewels, coming as they do as enemies, they might simply open the imperial treasury and take there all they want."
"Yes, but they would not find any thing," said Conrad. "The treasury is empty, doctor, entirely empty. Every thing is gone; there is not a single crown, not a single precious stone left in the treasury."
"Well, and where is the whole treasure then, you fool?" asked Haydn, with a smile.
