"They have taken it to Presburg, master. I saw the wagons myself-- soldiers rode in front of them, soldiers behind them. All streets, all places were crowded with people, and a riot broke out, and oh! such lamentations, such wails!--and finally the people became desperate, and roared and yelled that the government should make peace, and prevent the French from corning to Vienna and bombarding the city; and in their desperation they grew quite bold and brave, and thousands of them marched to the house of Minister Thugut, whom they call the real emperor of Vienna, and tried to compel him to make peace."
"Sad, sad tidings, indeed!" sighed Haydn, shaking his head. "Worse than I thought. The people riotous and rebellious--the army defeated--and the enemy marching upon Vienna. But don't despair-- courage, courage, children; let us put our trust in God and our excellent emperor. Those two will never forsake us--they will guard and protect Vienna, and never suffer a single stone to be taken from its walls."
"Ah, husband, don't count any longer upon the emperor," said his wife. "For that is the worst part of the news, and shows that every thing is lost: the emperor has left Vienna."
"What!" exclaimed Haydn, and his face grew flushed with anger.
"What, they dare to slander the emperor so infamously as that! They dare to assert that the emperor has forsaken his Viennese when they are in danger? No, no, the emperor is an honest man and a faithful prince; he will share good and evil days alike with his people. A good shepherd does not leave his flock, a good prince does not leave his people."
"But the emperor has forsaken us," said Conrad; "it is but too true, master. All Vienna knows it, and all Vienna mourns over it. The emperor is gone, and so are the empress and the imperial children.
All are gone and off for Presburg."
"Gone! the emperor gone!" muttered Haydn, mournfully, and a deadly paleness suddenly covered his cheeks. "Oh, poor Austria! poor people! Thy emperor has forsaken thee--he has fled from thee!"
He sadly inclined his head, and profound sighs escaped from his breast.
"Do you see now, husband, that I was right?" asked his wife. "Is it not true that it is high time for us to think of our property, and to pack up and bury our valuables?"
"No!" exclaimed Haydn, raising his head again; "this is no time to think of ourselves, and of taking care of our miserable property.
The emperor has left--that means, the emperor is in danger; and therefore, as his faithful subjects, we should pray for him, and all our thoughts and wishes should only be devoted to his welfare. In the hour of danger we should not be faint-hearted, and bow our heads, but lift them up to God, and hope and trust in Him! Why do the people of Vienna lament and despair? They should sing and pray, so that the Lord God above may hear their voices--they should sing and pray, and I will teach them how!"
And with proud steps Haydn went to the piano, and his hands began to play gently, at first, a ****** and choral-like air; but soon the melody grew stronger and more impressive. Haydn's face became radiant; instinctively opening his lips, he sang in an enthusiastic and ringing voice words which he had never known before--words which, with the melody, had spontaneously gushed from his soul. What his lips sang was a prayer, and, at the same time, a hymn of victory--full of innocent and child-like piety:
